Jan Balquin continually disrupts her audience’s preconceived notion on the limitations of an image/object in front of them. In her current works, she attempts to chronicle the image’s physicality, immovability, and materiality. Balquin’s tendencies as a sculptor who creates faux realities with her material of choice has informed her reimagining of the ground on which paintings lie.
In each of her works, she tries to blur the line between reality and illusion. As she furthers her inquiry, the audience experiences a gigantic wall enclosed inside a space; a canvas cut-out like a thin sheet of paper; an oil painting without a canvas nor a stretcher that folds and hangs like a piece of cloth; and paintings that start to misbehave. (LeCruz)